Godin LG Electric guitar (gone)
Unexpected Acquisition:
Welcoming the Godin LG Electric guitar into my collection was an unexpected turn of events, initiated by a trade offer while I was in the midst of selling my SX Lap Steel Guitar. At first, I hesitated, questioning the fairness of the exchange. After all, my Chinese-made SX Lap Steel carried a modest price tag of $100, while the Godin LG (a 1997 model) boasted humbuckers instead of P90s and even bore the autograph of Zakk Wylde, suggesting a value of at least $800. Suspicion lingered – was this too good to be true? Could there be some mystical consequence to accepting this offer, a sort of guitaristic possession?
Trading Reluctance:
However, the persistent enthusiasm of the other party, who fervently desired the lap steel, eventually convinced me to proceed. With a mixture of apprehension and curiosity, I agreed to the trade, and thus, the Godin LG found its place among its musical siblings in my basement over a year ago. To my relief, no ominous occurrences have transpired since its arrival.
Technical Marvel:
Let’s delve into the specifications of the Godin LG itself: boasting 24 frets and a bolt-on neck, it sports a formidable H/H pickup setup complemented by 5-way switching capabilities. The string-thru body design enhances sustain and resonance, while the straightforward control layout – one volume knob, one tone knob – ensures ease of use. Notably, the humbuckers can be split to emulate the characteristic sound of single-coil pickups, adding versatility to its sonic arsenal.
Intriguing Detail:
A particularly intriguing detail adorns the peg head: the original signature of Zakk Wylde. Whether this is a blessing or a curse remains a mystery, but one thing is certain – the guitar itself exudes quality craftsmanship, with a solid feel and a sound that speaks volumes.
Reflecting on Serendipity:
In hindsight, what began as a transaction fraught with uncertainty has blossomed into a harmonious relationship between musician and instrument. The Godin LG stands as a testament to the serendipitous nature of musical encounters, reminding us that sometimes, the greatest treasures come when we least expect them.